Impossible Situations

One of Bigger Thomas's most symapthetic moments in when he's put in an impossible situation. He's in his rich, white boss's house, on top of his daughter, a few feet away from his blind yet observant wife. Bigger can either allow himself to be discovered, and almost definitely face the consequences of a sexual assault conviction, or silence the girl, and face the consequences of that. Running on instinct and desperate to escape the first option, Bigger chooses the latter, and begins to discover the ramifictions of his decision a few minutes later. 

It's hard to fault Bigger for Mary's murder. He did his best to avoid being in the position where Mrs. Dalton almost found him, and mostly ended up there due to bad luck and Mary's obliviousness to his vulnerability. And once he was there, he didn't mean to kill her, he just wanted very badly for her to stop talking. I can even justify how he concealed his crime, on the grounds that the punishment he would have (and did) receive for her murder would not have been porportionate to his guilt, and though the cleanup process was gruesome, the experience was most unpleasant for Bigger himself. But then, he stumbles onto thin ice when he feels happiness after the crime, crashes through it when he tries to frame Jan and extort the Daltons, and obliterates the entire pond with his treatment of Bessie, the character who got the rawest deal in the whole book.

Bigger's choices after Mary's death don't contribute to my main point, so I'm going to ignore them for the most part, and chalk them up to personal issues. What I want to discuss is the version of Bigger before he reveals that he's gross and irredeemable, the Bigger on the bed, scared for his life. I think this Bigger is an important piece in one of the arguments Wright is making with Native Son; when you put people in impossible situations, often, impossibily bad things happen.

And you could argue that Bigger Thomas's life is one big impossible situation. He lives in an overpriced, rat-infested room with his entire family, had to drop out of school in the eight grade, and knows that, odds are, he'll never be a pilot. Things are pretty bad. Even impossible, from certain perspectives. So what does Bigger do? Crime, with and on his friends. And again, the beating up his friends part might just be a fun little quirk of his, but the rest of the crime is pretty easy to justify. He has no money, he needs money, he gets money. That kind of crime might be compeltely circumstancial, practiced by anyone in that kind of situation, not just psychos like Bigger. 

To wrap it all up, people work with what you give them. And in the heat of the moment, to Mary Dalton's misfortune, what Bigger had to work with was a pillow. In his desperation to not be labelled a predator, he became a real predator, and from that point on, really leaned into his newfound role. But you've got to think, if society was better and not racist, maybe in that moment he would have thought, Hey, if I just explain to Mrs. Dalton what's happening, everything will be fine, and maybe he would have been right. If that had happened, both Mary and Bigger might still be alive. But society isn't better, and is racist, and when you reread the murder scene and reconsider Bigger's choice, you have to wonder, was either potential outcome right? I think Wright is trying to tell the reader that the real problem wasn't Bigger's final decision, but the options he was working with.

Comments

  1. You make some really good points here about the systems that Bigger goes through and the way that they pressure him into making certain choices. That said, there is definitely an emotional element to what Bigger is experiencing here. When you go through the specific facts of everything that happens it does seem like there was nothing he could have done to stop it, and I do not mean to claim that he is at fault for much of what got him into this position, because there is a lot going on here that is out of his control. However, I do not think that there would be so much focus on Bigger's emotions and the way that people like Mary make him feel if they were not important.

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    1. It makes sense that Bigger would have emotions about what happens, but I don't think they're the primary issue. More of a reaction

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  2. These points are really interesting! I definitely agree that the novel uses Bigger's situation to protest the systemic injustices that black people have to deal with. But from some initial scenes of the book like the pool scene, I could tell that Bigger seemed to be more of a troublemaker than his friends, and I wonder what about his environment could've influenced that.

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  3. I'm very interested in how Bigger is supposed to be seen by the reader, in terms of sympathy, and I think you do a good job talking about that. To me, Wright seems reluctant to give Bigger too much cause for sympathy (especially with the whole "I don't want anyone crying over this book). Yet, I still found myself understanding a lot of Bigger's actions, even if I wouldn't condone them.

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    1. And then one realizes they just understood the actions of a murderer and rapist and go, "whaaaat?" I have to commend Wright on that, even though it was torture to read the detailed thoughts of a guy committing heinous crimes. Wright definitely does not give Bigger much cause for sympathy, but because we're always in his head we really WANT to be able to sympathize with Bigger.

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  4. I do agree with your main point that "when you put people in impossible situations, often, impossibly bad things happen", and that a lot of Bigger's actions were driven by circumstance and made more understandable by the emotions society had placed in him. And I definitely think that him killing Mary was 100% an accident, not some moment driven by rage as the court - and even Max, I think - claim. However, the way Bigger was actually beginning to sexually assault Mary (kissing her, groping her breasts, etc.) while she was practically passed out removed any overall sympathy I had for him, even before everything started devolving.

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